ERIC HOBSBAWM’S HERITAGE
Madkhavan PalatHobsbawm’s modern world originated in the big bang of the eighteenth century, and it was extinguished in an implosion almost exactly two centuries later. To him these two hundred years were defined by the project of the Enlightenment which imagined a world that was equally good for all of humanity and not for just some part of it. More than revolution, the Enlightenment drove this world onward until it seems to have exhausted itself by the end of the twentieth century: the Marxist Hobsbawm is inspired more by the Enlightenment than by one of its consequences, the millenarian dream of revolution. Deriving from the Enlightenment, the conjoined industrial and French revolutions, known as the dual revolution in his work, generated all subsequent events. The industrial revolution assumed both capitalist and socialist forms, and the political revolution inaugurated by the French species spawned a series of bourgeois and socialist revolutions, attempts at revolution of both types, and revolutions against revolution, or counter-revolutions. They permeated not only the politics and the economy of the continent, but as much its social and cultural processes and the sciences and the arts. His magnificent oeuvre celebrates this universe bounded by the two revolutionary waves of the late eighteenth and the late twentieth centuries; but it is a celebration that broods on its dark side as much as on its stupendous achievements. His grand theme is the hope held out by the Enlightenment, the revolutions that sustained it, and the counter-revolutions that negated it. As this modern world drew to its close in the 1990s, a gloomy uncertainty hangs over the world, and his musings on the post-Cold War world reflect this unease.