The key issue of the article is the ability of Europe with all its post-Christian values and neo- liberalism handle the present situation that has been created due to “great migrations”. The aim of the article is to show the metamorphoses in the spheres of religion, ethics, and politics (started in the era of Reformation and Enlightenment) and to describe problem-solving scenarios, concerning migration and the EU migration policy. As a result of this process, the European countries created a union based on transnational secular values (peace, freedom, stability, prosperity, common economic market, multiculturalism and human rights). In this union all kinds of issues are presumably solved through dialogue and consensus, and not on the basis of the biological law – the right of the strongest. However, Europe is facing the problem of “great migrations” with terrorism as its possible implication (Paris, Brussels, Nice). The problem of migration and the ways of its solving remain unclear for the EU. Arguably, the current situation coupled with the present neo-liberal migration policy of the EU will most likely lead to drastic changes in the demographic and cultural face of Europe. As a result, in the coming decades, the European identity and the system of values inherited from Enlightenment will likely be gradually superseded by more conservative values of the migrants. The neo-liberal views of the European establishment can be considered the main cause of this coming transition. Only delicate migration policy will help find the way out of this dead end without lapsing into the radical right (nationalism) or the radical left (neo-liberalism).
Modern visual culture gives a wide variety of opportunities to represent values, characters, stories and images reflecting cultural diversity of the world and at the same time it is obligatory for the subject of communication to be tolerant, willing to participate in the dialogue, open to the perception of experience and appraisals of others. The authors consider issues of intercultural competence formation by means of animation. Special attention is paid to the animation as a part of modern visual culture. The article states that animation can form and develop cross-cultural competence. The authors define cross-cultural competence as a phenomenon actualized in the context of intensification of intercultural contacts in a globalizing society. Animation is a part of the modern visual culture providing various means for intercultural competence formation. Analyzing historiography data the authors consider the methods of portraying the ethnic element in animation as well as ethno-cultural values. The article presents the results of the conducted study of interpretations (made by high school students) of the animated images from other cultures, as well as their opinions on the ways of understanding other cultures in the context of intercultural dialogue and creativity. The authors point out the factors forming intercultural competence of high school students living in big cities and share the opinions of students (taken from their essays) on the opportunity of intercultural dialogue aiming at understanding people of other cultures.
The starting point for writing this article was a wide circulation of ideas about the identity of such notions as sobornost and collectivism not only at the level of mass consciousness, but also in the research literature. The purpose of the article is to show the fallacy of such beliefs. The original author's position is that sobornost and collectivism constitute two different traditions - if sobornost, being of a religious origin, is related to the Orthodox spiritual experience, collectivism originated from social and political experience. The author draws attention to the fact that this erroneous assertion is based on misunderstanding that sobornost refers to the metaphysical reality, not the social one. The article outlines the key points of the concept ‘sobornost’ in the interpretation of A. Khomyakov, and the development of this idea in the writings of S. L. Frank. If collectivism, absolutizing unity, makes a personality ‘smaller’, thereby destroying it, sobornost, on the contrary, makes a personality “bigger’, allowing him/her to fully develop. It is sobornost that helps self-actualizing of a person. It is emphasized that moving towards sobornost as the highest stage of human development is performed through strengthening of individuality. The author draws a conclusion that such a radical convergence of two concepts: sobornost and collectivism entails various scenarios for Russia's future.
The history of Koreans living in CIS countries shows the unity of regular processes of transformation of their culture in different periods of residence in the Russian Empire, the Soviet Union and today the CIS. The author distinguishes three main stages of the history of CIS Koreans, in accordance with the main areas of their residence in different historical periods. The current stage is characterized by the final formation of the Eurasian community of Koreans, scattered all over the CIS space. At the same time they preserve the unified cultural markers, as well as common historical memory. Eurasian identity implies prevalence of supranational factor over the national one in ethno-cultural identity. In the case with the CIS Koreans the national factor isn’t the cornerstone of their life activities, that is reflected, for example, in their position not to insist on the forming of national regions or creating other territories on the national basis. The article deals with the process of transforming the culture of CIS Koreans, the impact of important historical events on the loss of elements of their traditional culture. Today, in the context of the Eurasian reintegration processes in the post-Soviet space the developing a new concept of a supranational identity is becoming urgent. This concept would be able to fully reflect the current processes. CIS Koreans are an example of the formation of the Eurasian identity.
The article proves the thesis that the philosophy of company is one of the forms of existence of practical philosophy. The author considers the existing ways to formulate the philosophy of company and to define the main components in its composition, with examples from the practice of operating companies. The article argues the thesis about the existence of philosophical knowledge at different levels, determines the place of practical philosophy in the system of philosophical knowledge and reveals its main characteristics. It is shown that practical philosophy performs the basic function of philosophy and can exist as an individual philosophy, a philosophy of the collective subject and macro-groups. The fundamental needs of person and society, which necessitate the existence of practical philosophy, are identified; and the philosophy of company is described as the way to meet these needs at the level of the collective subject. The author concludes that the form and content of the company's philosophy as a whole exactly correspond to the format of the practical philosophy. On the basis of general philosophical ideas about the nature and methods of the philosophical knowledge (recourse to the ultimate ground of being, systematization, unity of different topics, appeal to the due) recommendations to the construction of the company's philosophy are offered.
The work of Alan Garner (b. 1934), one of the most significant contemporary English writers, consistently ranks the local myth of the writer's birthplace, Alderley Edge in Cheshire East. The evolution of the plot development can be seen well in the trilogy that began in 1960 (translated into Russian novel "The Magic Stone Brezingamena" and "Moon on the eve Gomrata") and completed in 2012 (untranslated novel «Boneland»). The story follows the adventures of a brother and sister who settled on a farm Alderley Edge. At an early stage story is built like a fairy tale, with contrasting humanized space truss wild woods and the hollow hill. Borrowing characters, motifs and themes of the epic tales leads to fragmentation and imposition of functions of heroes guarding different places. Chief among them, the magician fron the traditional fairy tale, Cadellin works within the boundaries of the Arthurian myth, protecting the cave with a sleeping king, the role of guardians of other places assigned to other heroes. In searching for the future integrity the author refuses to use ready-made fairy tale and epic models. In the final part of the trilogy keeper of the place becomes an "ancestral character" whose existence lasts until there is a race. The leading method of constructing the plot becomes a parallelism of events that occur with the personifications of the ancestral hero. Writer refuses to opposite locales (humanized and wild, positive and negative, and so on) and eras (ancient and modern, old and new magic, etc.), fusing them together and saying peculiar to primeval consciousness syncretism of perception, the only correct view of the world. Ancestral hero, shaman, guardian and creator of the myth controls all habitats, making all living space cultured at its mythological development. Bearing structures of the local myth becomes a kind of continuity, mastering the same place over successive eras.
The article aims to identify the details of the internal structure of the Russian civilization in the aggregate of its constituent elements: the East Slavic, the Finno-Ugric, the Turkic-Mongol, etc. We correlated the analysis of provisions of the civilizational and geopolitical concepts with the specific character of historical experience of the development of Russia as a local civilization. The author highlights three stages of understanding the ethnic diversity role in the development of the Russian civilization: 1) Pre-Eurasian (1703-1907), 2) Eurasian (1907-1968), 3) Post-Eurasian, or contemporary. The article reveals the structural-genetic role of ethnic diversity in the development of the Russian civilization. The development of civilizational processes is connected to the qualitative complication of civilizational self-organization mechanisms. It implies transition from civilizational symbiosis to synthesis, which is accompanied by strengthening economic ties among ethnic groups, and transformation of less developed economies into more developed ones (preserving mixed economy). We propose the model of civilizational synthesis in which the ethnoses are "structural elements", stable interethnic interactions are "connections", and civilization itself is "substance". Two stages of genesis of the Russian civilization are highlighted: 1) Slavic-Finno-Ugric symbiosis under the political dominant of the eastern Slavs (pre- and early- civilizational stage, VIII-XV centuries); 2) Synthesis of two compounds, Eastern-European (Slavic-Finno-Ugric) and Turkic-Mongol (nomadic) under demographic, political, and cultural domination of Russians (XVI-XX centuries).
The author considers spatial forms of everyday culture of Siberian merchants. The aim of the article is to show the possibility of applying research tools of environmental approach in cultural studies. The article is based on the materials of investigations of the Russian urbanists, historians of architecture and design, art and cultural studies, as well as photographs, which preserved the image of Siberian trade arcades. The author analyzes the shopping passages in Siberia from the point of view of urban interior categories. Passages vertically stood out from the surrounding buildings of commercial organizations. They dominated other buildings in size and architectural design. The formation of the visual image of the passage as a special space contributed to the architecture of the building, and the angular accents of the main entrance, and substantive design of urban parterre. The interior method was used to create the atmosphere of homelike place. The size of the windows corresponded to the size of the flight of the building, that created the image of arcades. Different signs in the form of labels, names and emblems of small shops shaped the perception of a definite business establishment in its integrity. Thus, shopping arcades of Siberian merchants in the context of cultural studies are treated not just as a professional space, but also as an open space for buyers, their everyday interactions in the structure of everyday routine of the Siberian merchants, where there was space for a merchant city, merchant's house etc.
The article continues the earlier begun research in «Ideas and Ideals» (№ 19, 21, 23, 27). Now the author examines the aesthetic aspect of the function. The particularity of its study is to define the object of the transforming process, not the logic mechanism of action (like in other aspects). The object is music taste. Transforming of music taste implies the development of abilities to understand and to value the beauty in music. It is absolutely possible, Russian scientists have proved this thesis. Transforming goes either individually or with the help of more effective social means (enlightenment, education and mass media). The aesthetic aspect includes two subaspects – aesthetic (referring to music itself) and aesthetizing, which means “working” for the final purpose – to lead people to the world of Beauty through music taste development. Understanding of beauty in music morally transforms a man, who is perfecting the surrounding life. “Beauty will save the world” (Dostoyevsky). Aesthetizing subaspect is close to the ethical one – vectors of their functioning are parallel. Aesthetic subaspect represents the unity of means and purpose. The actions of two subaspects may be simultaneous and separate. In the final part of the article the author sums up the results of the research of the music transforming functions.