Ideas and Ideals

The article is devoted to the problem of development of a new project of reality that has overcome the post-nonclassical stage and faced difficulties in understanding human-like technoobjects in the present. The authors associate the emergence of "new structures" with transformation of human selfness, its practices of "disintegration", alienation from oneself. The beginning of this process launched by the medieval culture of thought, in which real, conceptual and nominal have appeared. They are recorded in the practices of discovering sinful within yourself; cashing out itself in contact with similar (other); revealing a formal (name). In the period of New European philosophy, a cognizer, tied to contemplation and will, begins to practice. He focuses on experience of reflection – a repeated inspection, control over the self, through which its "property" or aggressive withdrawal of irrational opportunities is established. The authors claim an idea that practice of a cognizer with ever-increasing estrangement from oneself generates a new reality in our time – the objects of kogito (virtual, conceptual, linguistic), objects that "complete" the embodiment (biotechnical structures). They are practitioners standing within the boundaries of will-kreacio, aimed at rational extension, transformation of cognizer. A purposeful will that has a rational intention, collects its own reality from the fragments or "traces" of the expressed, described, everyday, etc., constructs it from fragments of social action, text, experience. A methodology, built on the framework of mathematical and natural sciences, is gradually replaced by an activity-practical, hermeneutic, engineering-sociological approaches. Comprehension of science through spiritual experience of cognizer makes it possible to assess it not as something external, civilizationally fateful but as a conscious action, a choice, relying in a special fixation, self-examination.

This article analyzes a number of social and anthropological implications of the sharp increase in the flow of information, which have acquired since the mid-20th century the character of "information explosion". The authors analyze the postmodern concepts by identifying major characteristics of post-industrial society that brings these concepts together with the theories of the information society. The authors substantiate the hypothesis that, on the basis of the convergence of certain postmodern concepts with the theories of the information society there can be conceptual synthesis. The authors show that the informational approach, which is not used explicitly, is present in the works of post-modern artists as the concept of a special type of society, a society living and reproducing itself mostly in virtual reality based on mass production of sign-symbolic artifacts - signs, symbols, values and meanings, aggregated into streams of information. Information flows are the main "building material" and a resource for the construction of symbolic information and communicative space. The authors identified the following characteristics of the society after the "information explosion": there is a change in the content of communication; the symbolic world becomes increasingly unrecognizable for a human being; there is depersonalization of social codes; virtual strata appear; people experience information trauma of consciousness; human existence becomes fragmented; "information schizophrenia" sets in; "intellectual extinction" of mankind syndrome shows up; and then comes "normal anomie".

The article examines the role of a social ideal in history on the example of evolution of the perfect man image. The ideal is understood as a due thing, which allows to assess the present existing nature and to determine the direction of its development. Aspiration to the ideal, which is an essential intention of a person necessary in acquiring ideal traits of a man, is one of the driving forces of history. Every historical period constructs its own image of an ideal person and strives to get closer to it. Ideas about the perfect man have been regularly formed throughout history, this fact proves that there is a permanent innate human sense of dissatisfaction with him/herself (and with the whole world), the lack of self realization, the intention to discover their own inner identity. The first "perfect man" was a beast. In the primitive societies people conquered the “outer” beast, in Antiquity – the “inner” one. There appeared the first identity crisis as a consequence of inadequate self-esteem ("man as the measure of all things"). God was a "perfect man" of the Middle Ages. If a beast turns out to be in the inaccessible past then God is in the eternal unattainable future. So, the second identity crisis comes into existence. A Man becomes an ideal in Modern Times. There appeared a concept of a perfect man (as a real possibility). However, depriving a person of metaphysics leads to the third identity crisis. Nowadays the "perfect man", increasingly, appears to be a machine resembling a "man", devoid of human weaknesses with improved human qualities. The analogy between a human and a machine leads to the fourth identity crisis. "The new perfect man" is a man as a unique result of the development of all human culture, the synthesis of the unique and the universal.

This article deals with analyzing traditions from archaic societies to the modern society going through the hard crisis period being full of different risks. Speedy changes over the world are continuing to increase rapidly herewith to multiply risks for speedy achieving favourable future. The growing needs have been aggravating the destruction of harmony between a human and his mental, social and native world. The unbridgeable gap between a man and a tradition has been becoming obvious. The origin of Latin word "traditio" pays attention to education which implements continuity in society developing, and maintains culture. The analysis of examples of forming the traditions in ancient Israel, India and China, in ancient Greek policies and in Rome has revealed the importance of attitude for preserving the values keeping harmony between man’s inner world and society, and providing the balance between privacy and social life. Preserving tradition is carried out in conditions supported by culture which is certain to be the stronghold of any state. A tradition is focused on values and their transference mechanisms, and language is sure to have the priority among them. Language as a means of communication in time and space plays the paramount role keeping universal and professional knowledge for using by humanity. The etymology of loan words pays attention to the cultural and historical conditions of their emergence in a language and emphasizes the successive nature of knowledge. The tradition has been gaining the status of the basis allowing both person and society to get out of crisis.

The article gives quite an unusual view on quite usual things. The author speculates upon different, but utmost important aspects of love. He reflects on love of self, love for another human being, love for the mankind, love for the Motherland, physical love and terrestrial love. But the author doesn’t share his thoughts with the readers on parental love and love of God. The article is full of philosophical comments to literature passages, irony and curious, nontrivial, conclusions. In our opinion, the article will be of great interest to people, who are not indifferent and inclined to reflection and it can be perceived as the additional opportunity to touch eternity.

The article considers the essence and nature of a human. The authors substantiate the necessity of a holistic view of a person in modern conditions, when the human development has become the goal of civilized development. The authors discuss various approaches to understanding of human entity. The article criticizes unreasonable use of the mechanistic model of an “economic man”. Forming the empirical models of a human, it is suggested coming from his essence as a socio-natural-spiritual phenomenon.

For the survival of Homo sapiens, joint efforts and a strong desire for expansion were of the utmost importance. Our today's emotions and instincts are a relic of the era of hunters and gatherers. External expansion against rival communities and internal expansion, aimed at a closer social organization, gave birth to a mass man, a man of the crowd, who dominated the world until the 19th century. The modern mass man, Homo billionis, whose global civilization covers the entire planet, appeared only in the twentieth century. His archaic craving for expansion gave birth to industrial civilization as the dominant form of life. Today Homo billionis encounters natural boundaries, which are perceived as a hindrance, but he fails to understand that destruction of self-regulating nature is caused by his activities. Behind both world wars, there was a belief in the need to maximally expand the exploitation of nature and other people for the sake of one’s own freedom. This expansion and the freedom won at someone's expense have come to their logical end. For the last two generations, the planet of unlimited possibilities has turned into a closed market, where everyone seeks to displace the other, and where not only individual freedom but also national identity fades away steadily. The mass man as a modern version of Homo sapiens and monotheistic ideological constructions are closely connected with each other. They have to be overcome in order to avoid the death of civilization as the result of further exponential growth. This requires two conditions: the rejection of the expansionist idea of the state and the recognition of differences between people.

The article focuses on the modernism/postmodernism terms definition. The author conceptualizes the two terms in the three theoretical frames. Firstly the dichotomy of modernism/postmodernism is described in the context of artistic practice and aesthetic programs. Secondly the two notions are analyses as the stages of cultural evolution. Thirdly the dyad is comprehended as the two ways of world understanding. The core issue in the differentiation between modernism and postmodernism, in the author’s opinion, is the category of integrity. The article is addressed to philosophers, specialists in cultural studies and aesthetics, cultural scientists and educators.

The article describes the experience of novels interpretation. The novels are written by an American writer of the Russian origin, the founder of the philosophical trend of rational individualism (objectivism) Ayn Rand. A comparative analysis of the two lists of values that form the basis of Western civilization, one of which is the subject of her criticism (refuting). A new formulation of the question concerning the relationship between the values of charity and justice is suggested in the article as a response to A. Rand. The author substantiates that the notion of justice is derived from the notion of charity. The value of charity in Christian consciousness binds together humanity and freedom. The author highlights the idea, that the principle of «rational personal gain», proposed by A. Rand is the principle of cynical reason and it cannot be a sustainable basis for the modern society.

The paper considers a novel of antiquity-scientist A.N. Egunov who was writing under pseudonym Nicolev. Studying antiquity wasn’t considered to be antique. It led to the culture of the XX century and one’s own experience. In the 1920s it was insistently advised «to learn from classics». But the writer’s roles and social profile as well as his relations with his own gift were changing. A. Nikolev’s subtle and clever structures are involuntary perceived as «intensifying» editing. The novel is set in the specific topography. All the toponyms are acknowledged historically except for «the magical village Mirandino». «Ancient Tulsky district» represents the living tract, a museum «without walls». The names of Goethe and Tolstoy remind of definitive features which formed the world of culture. A slight touch on the meaning, writing-wandering, reading will become a storyline of the text. Physically «light hand» is a prevailing metaphor. The moments of revelation capture the turning points in a wonderful wandering. Essential is the suddenness of a crucial question. It concerns the semantics and function of the word «Faust» (fist). The character’s name is connected with the linguistic theory of nominations, with a long-standing argument about the nature of names. Semantics and grammar are opposed: the weaker sex is opposed to the stronger sex, «humane place» – to the chauvinistic culture. The main rhythm of emotions is repeated: violence, power, «weak» power. Egunov was a musically gifted person. In his translations from the ancient Greek language he kept the atmosphere of rhythmo-melodic inflexional features of the text. The novel is particularly in the need of contextualization. The context is constantly changing, and reminds of the Heraclitus river.