«New» features of Carl Czernyʹs compositions (op. 740)
Mikhail Karpychev
The article describes the world of images in Czerny’s etudes, op. 740. This is the first work on this theme in Russian music literature. Nowadays etudes are considered to be only instructive. It is a mistake. Carl Czerny is an outstanding composer, a great piano teacher, «the King of Etudes», the first editor of «The Well-Tempered Clavier», a pupil of Beethoven, a teacher of Liszt and Leshetitsky. Czerny was a teacher of the transitional period - from positional classic technic principles to romantic free physiology principles. The etudes (op. 740) are the obligatory part of piano studies of every pianist in the whole world from the second part of the XIX century. At least 16 etudes (op. 740 includes 50 etudes) are not only instructive, but must be considered as artistic, creating images - like the etudes by Chopin, Liszt... The author of the article proves, that the world of etudes’ images contains the next ideas: images of Vienna, where Czerny lived (№ 9, 20, 29); «salon» images (№ 9, 33); images of dancing (№ 23, 42); imitation of timbres (№ 4, 18, 24); heroic images (№ 14, 46, 50); landscape lyricism (№ 6, 22, 36); nocturne images (№ 45). The article is based on M. G. Karpychev’s monography «Carl Czerny. Opus 740» (Novosibirsk, 2014) [5], in which every etude is separately analyzed in many aspects of performance