Ideas and Ideals

  A quiet town of Ascona, located on the shores of Lake Maggiore, became a place of concentration of public life in Switzerland in the late XIX-early XX centuries. The colony of vegetarians "Monte Verità" (“Hill of Truth”) studied and tested new philosophies, developing new special systems of dieting and physical exercises. Zurich artistic community concentrated in that very colony "Monte Verità" in Ascona at the end of the First World War. It was there in 1924, where an artistic association "Big Bear" was formed, which included seven artists: W. Helbig, O. Niemeyer, E. Frick, A. Kohler, G. McCoy, O. Rice and R. Zivald. The ideological leader of the group was Marianne Verevkina. She actively participated in exhibitions of “Big Bear” artists in Zurich, Lugano, Berlin. In Ascona M. Verevkina was the first director of the Museum of Modern Art. It was she who persuaded many artists to donate their paintings to the museum. Marianne Verevkina had a leading role in the cultural life of Ascona right up to 1938.

The paper analyses how the set of images and events in the poem “Dionysiaca” by Nonnus of Panopolis reflects the ancient notion of time. The immortal gods of Olympus abide in eternity; however they have to reckon with the earth time and the order of things. Nevertheless, the time of the gods and the time of human beings are represented by different gods: Chronos and Aion, respectively. The original ancient gods, Phanes, Chaos, Chronos, can claim to be fully independent of the time of the mortal, and they abide in a sort of “timelessness” rather than eternity. Thus, there are three positions in relation to time: timelessness – complete independence from time of ancient gods, immortality, and eternity. At the same time, there is Olympic gods’ involvement in the earth time and complete subordination to the laws of the earth time on the part of the mortal. Dionysus is characterized by a spiral pattern of time. Zagreus, Dionysus, Iovakh are both a single whole and different. They are the past, the present and the future. Events in their lives are repeated, but not precisely. The above corresponds to the Platonic interpretation of time, and substantial similarity can be noticed.

The article analyses the text of the mystical «Revelations» of st. Birgitta and references to her “Revelations” in diplomatic correspondence during Hundred Years' War. In this text she calls on those warring parties for laying their arms down in the name of Jesus. The focus is on the argument in favor of the authenticity of the divine origin of the "Revelations" contained inside the text, and in external comments. These techniques of persuasion, as addressed to the recipient of the message, attempt to use conventional conceptions of established law. Based on a detailed analysis of how they were used, as well as how and why they were successful, we can reconstruct the role of religious elements in the legal and political relations of this era.