Let’s Check Harmony with Algebra Again, Shall We? About J. Bigelow’s Article “Music, Mystique and Shakespeare’s Sonnets”
Konstantin KurlenyaThe article focuses on the arguments given by an Australian researcher John Bigelow who aspires to prove the existence of regular relations between the compositional structure of William Shakespeare’s cycle of 154 sonnets and the system of modal scales in the version of Shakespeare’s outstanding contemporary, composer and theorist Thomas Morley, which served as a basis for musical theory of that time. It is noted that J. Bigelow managed to prove the rightfulness of his own assumptions allowing to disclose such relations. One of the brightest examples he draws is the relations between the first eight sonnets and sonnet 145 and the interval structure of the corresponding modal scales and peculiarities of the triton sound as well as the auditory perception of certain non-tempered thirds and fourths. At the same time, the article points at a certain inaccuracy of Bigelow’s arguments and his lacking the principle of universality as the reasons and observations given by the researcher concern only the smallest part of the cycle and not the whole one. Nevertheless, Bigelow’s conclusions are certainly worth the attention, and one may continue the research of the sonnets cycle in the given direction which might probably lead to a fuller understanding of its compositional structure.