Cosmic Speech and Human Speech
Irina Gerasimova
The article develops the theme of rationality at the border of expressibility. The Indian doctrine of the four levels of speech (vaikhari, madhyama, pashyanti, para-vak) is considered in the context of mythological, philosophical and religious ideas of the East, West, and Ancient Rus’. The author highlights the common features of historically different teachings. The ontological interpretation reveals cosmic speech as the unfolding of the Universe during the period of activity of life (in Indian philosophy - during the period of Manvantara) from the original Voice Sound. The ontology of cosmic consciousness is identifi ed with the ontology of speech, which realizes itself “from the inside out”, from the stage of internal emergence of an idea (ideation) to completion in external articulation (objectification of meanings in things, physical or mental). Focus on an object (intentionality) and the construction of mental images by cosmic demiurges are essential features of universal speech. The concept of “logos” of ancient Greek philosophy absorbed all the main components of universal speech as the formation of meaning and the construction of forms: the externally expressed word, internal speech without sound and voice, logic, number, proportion, elements, species and seed logos. The teachings of universal speech have had cultural interpretations, particularly in poetry and in the psychosomatic practices of yoga. The author offers interpretations of the principles of universal speech in the creative practices of technogenic civilization. To understand the teachings about universal speech, the author draws attention to the languages of nature, which served as prototypes of symbolic thinking: sound, color, geometric shape, number, sensory images. The evolution of intelligence has led to the development of analytical abstract-conceptual thinking abilities and the quality of awareness. Historically, the concrete figurative and symbolic languages of mythology preceded conceptual natural philosophy and science, but continued to evolve in science, and even more so in art. The author believes that the evolution of sensory perception and imagination (sensing thinking), together with the construction of phenomenal languages, will lead to the integration of intellect and straight-knowledge, to the formation of the ability to control the internal and external levels of universal speech.