MONGOLIAN DOCTRINE ARGA BILIG: CULTUROLOGICAL POTENTIAL AND THE FOUNDATION FOR THE WORKS OF ART ANALYSIS
Belokurova S.M.,  Shishin M.Yu.
DOI: 10.17212/2075-0862-2016-3.2-137-146
Annotation:

The authors present the main statements of the original Mongolian religious and philosophical doctrine – Аrga bilig, which means the unity of two opposites. This doctrine is considered as the culture constant. The authors analyse the Mongolian fine-art works on the basis of Arga bilig. The article substantiates the hypothesis of the universal character of the doctrine for the world view of Mongolians. The analysis and interpretations are made on the basis of works of art.

THE ROLE OF M.V. VEREVKINA IN THE ARTISTIC LIFE OF ASCONA AND THE COLONY ‘MONTE VERITA’
Oleynik Maria
DOI: 10.17212/2075-0862-2016-3.2-147-154
Annotation:

  A quiet town of Ascona, located on the shores of Lake Maggiore, became a place of concentration of public life in Switzerland in the late XIX-early XX centuries. The colony of vegetarians "Monte Verità" (“Hill of Truth”) studied and tested new philosophies, developing new special systems of dieting and physical exercises. Zurich artistic community concentrated in that very colony "Monte Verità" in Ascona at the end of the First World War. It was there in 1924, where an artistic association "Big Bear" was formed, which included seven artists: W. Helbig, O. Niemeyer, E. Frick, A. Kohler, G. McCoy, O. Rice and R. Zivald. The ideological leader of the group was Marianne Verevkina. She actively participated in exhibitions of “Big Bear” artists in Zurich, Lugano, Berlin. In Ascona M. Verevkina was the first director of the Museum of Modern Art. It was she who persuaded many artists to donate their paintings to the museum. Marianne Verevkina had a leading role in the cultural life of Ascona right up to 1938.

1348 ST. BIRGITTA'S PEACE LETTERS
Pershin YA.V.
DOI: 10.17212/2075-0862-2016-2.2-52-61
Annotation:

The article analyses the text of the mystical «Revelations» of st. Birgitta and references to her “Revelations” in diplomatic correspondence during Hundred Years' War. In this text she calls on those warring parties for laying their arms down in the name of Jesus. The focus is on the argument in favor of the authenticity of the divine origin of the "Revelations" contained inside the text, and in external comments. These techniques of persuasion, as addressed to the recipient of the message, attempt to use conventional conceptions of established law. Based on a detailed analysis of how they were used, as well as how and why they were successful, we can reconstruct the role of religious elements in the legal and political relations of this era.

CATEGORY OF TIME IN THE POEM “DIONYSIACA” BY NONNUS OF PANOPOLIS
Putilina T.G.
DOI: 10.17212/2075-0862-2016-2.2-43-51
Annotation:

The paper analyses how the set of images and events in the poem “Dionysiaca” by Nonnus of Panopolis reflects the ancient notion of time. The immortal gods of Olympus abide in eternity; however they have to reckon with the earth time and the order of things. Nevertheless, the time of the gods and the time of human beings are represented by different gods: Chronos and Aion, respectively. The original ancient gods, Phanes, Chaos, Chronos, can claim to be fully independent of the time of the mortal, and they abide in a sort of “timelessness” rather than eternity. Thus, there are three positions in relation to time: timelessness – complete independence from time of ancient gods, immortality, and eternity. At the same time, there is Olympic gods’ involvement in the earth time and complete subordination to the laws of the earth time on the part of the mortal. Dionysus is characterized by a spiral pattern of time. Zagreus, Dionysus, Iovakh are both a single whole and different. They are the past, the present and the future. Events in their lives are repeated, but not precisely. The above corresponds to the Platonic interpretation of time, and substantial similarity can be noticed.

PHILOSOPHY IN THE FORMATION OF A PROFESSIONAL MUSICIAN
Kurlenya Konstantin
DOI: 10.17212/2075-0862-2016-2.1-81-101
Annotation:

The article studies topical problems of teaching philosophy at musical colleges. The author proves that the main goal for students of creative specialties to study philosophy is in offering a set of basic visions motivating to choose consciously the purpose of existence. The article consistently expands on issues of cognitive theory, ontology, sociology, axiology, aesthetics, and ethics, essential for the formation of a student’s personal and professional status. In modern conception of Russian higher education, the searches of new role and meaning of philosophy are far from being finished. The process of decreasing the subject’s teaching hours in college programmes is accompanied with students’ significant loss of interest in philosophical problematics. This drastically decreases both the learners’ general thinking culture and their inability to confront challenges of life concerning their personal identity and behaviour. The possibility to group the essential topics of European culture philosophical experience around the current aspects of a professional musician’s formation is one of the ways to increase the efficiency of teaching philosophy at a musical college.

CULTURAL AND CREATIVE IDEAS OF SYMBOLISM ART IN VYACHESLAV IVANOV’S PHILOSOPHY
Astakhov O.Yu.
DOI: 10.17212/2075-0862-2016-2.1-102-109
Annotation:

The questions for determination of cultural and creative ideas of the symbolical art focused on transforming reality in philosophy of Vyach. Ivanov are considered in the article. The attention is drawn to his work "Two Elements in Modern Symbolism" in which the content of new art is explained opening creative opportunities of culture. Differentiating Realistic and Idealistic Symbolism as significant activity of the realist artist and converting – the idealist artist, the author comes to the idea about opportunity in Realism to show the myth creation installations focused on the divine unity opening the cathedral agreement of opinion and unanimity, establishing real connection of separate consciousness in live unity. In Vyach. Ivanov’s ideas about the nature of myth creation in symbolical art the problem for coordinating religious experience of life with cultural development of the world is stated, this problem is solved through the appeal to comprehensive synthesis of a teo-centrism and a culture-centrism.

ABOUT CHARITY AND JUSTICE: RESPONSE TO A. RAND
Yaduta L.I.
DOI: 10.17212/2075-0862-2016-2.1-110-116
Annotation:

The article describes the experience of novels interpretation. The novels are written by an American writer of the Russian origin, the founder of the philosophical trend of rational individualism (objectivism) Ayn Rand. A comparative analysis of the two lists of values that form the basis of Western civilization, one of which is the subject of her criticism (refuting). A new formulation of the question concerning the relationship between the values of charity and justice is suggested in the article as a response to A. Rand. The author substantiates that the notion of justice is derived from the notion of charity. The value of charity in Christian consciousness binds together humanity and freedom. The author highlights the idea, that the principle of «rational personal gain», proposed by A. Rand is the principle of cynical reason and it cannot be a sustainable basis for the modern society.

NEW ERA
Muratov P.D.
DOI: 10.17212/2075-0862-2016-2.1-167-177
Annotation:

The article is a part of the investigation “Art Life of Novosibirsk of the XX Century”. The author considers the organizational forms of the professional and amateur painting, the evolution and interaction of easel painting and monumental kind of Art during a century. The given article is a continuation of a series of investigations published in “Ideas and Ideals”. The chronological frames of the article are the second half of the 1980s - the beginning of 1990s.

MAJORAT» OF СULTURE: «ON THE OTHER SIDE OF TULA» BY A. NIKOLEV. ARTICLE 1
Vasileva G.M.
DOI: 10.17212/2075-0862-2016-2.1-117-127
Annotation:

The paper considers a novel of antiquity-scientist A.N. Egunov who was writing under pseudonym Nicolev. Studying antiquity wasn’t considered to be antique. It led to the culture of the XX century and one’s own experience. In the 1920s it was insistently advised «to learn from classics». But the writer’s roles and social profile as well as his relations with his own gift were changing. A. Nikolev’s subtle and clever structures are involuntary perceived as «intensifying» editing. The novel is set in the specific topography. All the toponyms are acknowledged historically except for «the magical village Mirandino». «Ancient Tulsky district» represents the living tract, a museum «without walls». The names of Goethe and Tolstoy remind of definitive features which formed the world of culture. A slight touch on the meaning, writing-wandering, reading will become a storyline of the text. Physically «light hand» is a prevailing metaphor. The moments of revelation capture the turning points in a wonderful wandering. Essential is the suddenness of a crucial question. It concerns the semantics and function of the word «Faust» (fist). The character’s name is connected with the linguistic theory of nominations, with a long-standing argument about the nature of names. Semantics and grammar are opposed: the weaker sex is opposed to the stronger sex, «humane place» – to the chauvinistic culture. The main rhythm of emotions is repeated: violence, power, «weak» power. Egunov was a musically gifted person. In his translations from the ancient Greek language he kept the atmosphere of rhythmo-melodic inflexional features of the text. The novel is particularly in the need of contextualization. The context is constantly changing, and reminds of the Heraclitus river.

“THE DIARY OF A WRITER” BY F.M. DOSTOEVSKY IN THE FOCUS OF MODERN INTERPRETATIONS
Borisova V.V.
DOI: 10.17212/2075-0862-2016-2.1-128-137
Annotation:

In this article the peculiarities of perception and interpretation of "The Diary of a Writer" by F. Dostoevsky are considered from historical and functional points of view in the following aspects: literary, cultural and political. The new paradigms of its study on representative examples of the latest research are identified. In the focus of modern interpretations intermedial and metadiscursive nature of Dostoevsky’s magazine, writer’s syncretism of creative thinking, the limited actuality and justification of many of his prophecies in the context of our time are substantiated. As a result, we can observe the full rehabilitation of “The Diary of a Writer” as one of the greatest works of Dostoevsky, which is remaining the standard of journalism and artistry.