The article is devoted to the problem of development of a new project of reality that has overcome the post-nonclassical stage and faced difficulties in understanding human-like technoobjects in the present. The authors associate the emergence of "new structures" with transformation of human selfness, its practices of "disintegration", alienation from oneself. The beginning of this process launched by the medieval culture of thought, in which real, conceptual and nominal have appeared. They are recorded in the practices of discovering sinful within yourself; cashing out itself in contact with similar (other); revealing a formal (name). In the period of New European philosophy, a cognizer, tied to contemplation and will, begins to practice. He focuses on experience of reflection – a repeated inspection, control over the self, through which its "property" or aggressive withdrawal of irrational opportunities is established. The authors claim an idea that practice of a cognizer with ever-increasing estrangement from oneself generates a new reality in our time – the objects of kogito (virtual, conceptual, linguistic), objects that "complete" the embodiment (biotechnical structures). They are practitioners standing within the boundaries of will-kreacio, aimed at rational extension, transformation of cognizer. A purposeful will that has a rational intention, collects its own reality from the fragments or "traces" of the expressed, described, everyday, etc., constructs it from fragments of social action, text, experience. A methodology, built on the framework of mathematical and natural sciences, is gradually replaced by an activity-practical, hermeneutic, engineering-sociological approaches. Comprehension of science through spiritual experience of cognizer makes it possible to assess it not as something external, civilizationally fateful but as a conscious action, a choice, relying in a special fixation, self-examination.
This article analyzes a number of social and anthropological implications of the sharp increase in the flow of information, which have acquired since the mid-20th century the character of "information explosion". The authors analyze the postmodern concepts by identifying major characteristics of post-industrial society that brings these concepts together with the theories of the information society. The authors substantiate the hypothesis that, on the basis of the convergence of certain postmodern concepts with the theories of the information society there can be conceptual synthesis. The authors show that the informational approach, which is not used explicitly, is present in the works of post-modern artists as the concept of a special type of society, a society living and reproducing itself mostly in virtual reality based on mass production of sign-symbolic artifacts - signs, symbols, values and meanings, aggregated into streams of information. Information flows are the main "building material" and a resource for the construction of symbolic information and communicative space. The authors identified the following characteristics of the society after the "information explosion": there is a change in the content of communication; the symbolic world becomes increasingly unrecognizable for a human being; there is depersonalization of social codes; virtual strata appear; people experience information trauma of consciousness; human existence becomes fragmented; "information schizophrenia" sets in; "intellectual extinction" of mankind syndrome shows up; and then comes "normal anomie".
The article examines the role of a social ideal in history on the example of evolution of the perfect man image. The ideal is understood as a due thing, which allows to assess the present existing nature and to determine the direction of its development. Aspiration to the ideal, which is an essential intention of a person necessary in acquiring ideal traits of a man, is one of the driving forces of history. Every historical period constructs its own image of an ideal person and strives to get closer to it. Ideas about the perfect man have been regularly formed throughout history, this fact proves that there is a permanent innate human sense of dissatisfaction with him/herself (and with the whole world), the lack of self realization, the intention to discover their own inner identity. The first "perfect man" was a beast. In the primitive societies people conquered the “outer” beast, in Antiquity – the “inner” one. There appeared the first identity crisis as a consequence of inadequate self-esteem ("man as the measure of all things"). God was a "perfect man" of the Middle Ages. If a beast turns out to be in the inaccessible past then God is in the eternal unattainable future. So, the second identity crisis comes into existence. A Man becomes an ideal in Modern Times. There appeared a concept of a perfect man (as a real possibility). However, depriving a person of metaphysics leads to the third identity crisis. Nowadays the "perfect man", increasingly, appears to be a machine resembling a "man", devoid of human weaknesses with improved human qualities. The analogy between a human and a machine leads to the fourth identity crisis. "The new perfect man" is a man as a unique result of the development of all human culture, the synthesis of the unique and the universal.
This article deals with analyzing traditions from archaic societies to the modern society going through the hard crisis period being full of different risks. Speedy changes over the world are continuing to increase rapidly herewith to multiply risks for speedy achieving favourable future. The growing needs have been aggravating the destruction of harmony between a human and his mental, social and native world. The unbridgeable gap between a man and a tradition has been becoming obvious. The origin of Latin word "traditio" pays attention to education which implements continuity in society developing, and maintains culture. The analysis of examples of forming the traditions in ancient Israel, India and China, in ancient Greek policies and in Rome has revealed the importance of attitude for preserving the values keeping harmony between man’s inner world and society, and providing the balance between privacy and social life. Preserving tradition is carried out in conditions supported by culture which is certain to be the stronghold of any state. A tradition is focused on values and their transference mechanisms, and language is sure to have the priority among them. Language as a means of communication in time and space plays the paramount role keeping universal and professional knowledge for using by humanity. The etymology of loan words pays attention to the cultural and historical conditions of their emergence in a language and emphasizes the successive nature of knowledge. The tradition has been gaining the status of the basis allowing both person and society to get out of crisis.
The article gives quite an unusual view on quite usual things. The author speculates upon different, but utmost important aspects of love. He reflects on love of self, love for another human being, love for the mankind, love for the Motherland, physical love and terrestrial love. But the author doesn’t share his thoughts with the readers on parental love and love of God. The article is full of philosophical comments to literature passages, irony and curious, nontrivial, conclusions. In our opinion, the article will be of great interest to people, who are not indifferent and inclined to reflection and it can be perceived as the additional opportunity to touch eternity.
The article considers the essence and nature of a human. The authors substantiate the necessity of a holistic view of a person in modern conditions, when the human development has become the goal of civilized development. The authors discuss various approaches to understanding of human entity. The article criticizes unreasonable use of the mechanistic model of an “economic man”. Forming the empirical models of a human, it is suggested coming from his essence as a socio-natural-spiritual phenomenon.
For the survival of Homo sapiens, joint efforts and a strong desire for expansion were of the utmost importance. Our today's emotions and instincts are a relic of the era of hunters and gatherers. External expansion against rival communities and internal expansion, aimed at a closer social organization, gave birth to a mass man, a man of the crowd, who dominated the world until the 19th century. The modern mass man, Homo billionis, whose global civilization covers the entire planet, appeared only in the twentieth century. His archaic craving for expansion gave birth to industrial civilization as the dominant form of life. Today Homo billionis encounters natural boundaries, which are perceived as a hindrance, but he fails to understand that destruction of self-regulating nature is caused by his activities. Behind both world wars, there was a belief in the need to maximally expand the exploitation of nature and other people for the sake of one’s own freedom. This expansion and the freedom won at someone's expense have come to their logical end. For the last two generations, the planet of unlimited possibilities has turned into a closed market, where everyone seeks to displace the other, and where not only individual freedom but also national identity fades away steadily. The mass man as a modern version of Homo sapiens and monotheistic ideological constructions are closely connected with each other. They have to be overcome in order to avoid the death of civilization as the result of further exponential growth. This requires two conditions: the rejection of the expansionist idea of the state and the recognition of differences between people.
The article focuses on the modernism/postmodernism terms definition. The author conceptualizes the two terms in the three theoretical frames. Firstly the dichotomy of modernism/postmodernism is described in the context of artistic practice and aesthetic programs. Secondly the two notions are analyses as the stages of cultural evolution. Thirdly the dyad is comprehended as the two ways of world understanding. The core issue in the differentiation between modernism and postmodernism, in the author’s opinion, is the category of integrity. The article is addressed to philosophers, specialists in cultural studies and aesthetics, cultural scientists and educators.
In this article the peculiarities of perception and interpretation of "The Diary of a Writer" by F. Dostoevsky are considered from historical and functional points of view in the following aspects: literary, cultural and political. The new paradigms of its study on representative examples of the latest research are identified. In the focus of modern interpretations intermedial and metadiscursive nature of Dostoevsky’s magazine, writer’s syncretism of creative thinking, the limited actuality and justification of many of his prophecies in the context of our time are substantiated. As a result, we can observe the full rehabilitation of “The Diary of a Writer” as one of the greatest works of Dostoevsky, which is remaining the standard of journalism and artistry.
The article studies topical problems of teaching philosophy at musical colleges. The author proves that the main goal for students of creative specialties to study philosophy is in offering a set of basic visions motivating to choose consciously the purpose of existence. The article consistently expands on issues of cognitive theory, ontology, sociology, axiology, aesthetics, and ethics, essential for the formation of a student’s personal and professional status. In modern conception of Russian higher education, the searches of new role and meaning of philosophy are far from being finished. The process of decreasing the subject’s teaching hours in college programmes is accompanied with students’ significant loss of interest in philosophical problematics. This drastically decreases both the learners’ general thinking culture and their inability to confront challenges of life concerning their personal identity and behaviour. The possibility to group the essential topics of European culture philosophical experience around the current aspects of a professional musician’s formation is one of the ways to increase the efficiency of teaching philosophy at a musical college.